
ENTERING NO EXIT
Another field cloudless sky becomes a revolution.
Many of the others are short haiku-like poems. but these are no mere syllable-counting metaphors, but poems of depth and a certain mystery:
STRANGER IN A STRANGE LAND
Bees sense crowshadow across dry pavement
I am pilgrim on this vegetable earth
I like that. I don't really know why; I just like it. A lot of the poems strike me in that way - "irreducible", I suppose; concentrated, and often needing to be re-read and slowly absorbed by the reader, like a mini-meditation, a Zen Koan:
A LITTLE BOOK OF ST. FRANCIS
What whispered place from visions spring always springness
Some of this poetry, especially a sequence called "The Green Man", reminds me of Ronald Johnston. But in fact, the influences are wide and fully acknowledged; Beam cites
"the spiritual literature and folk traditions of the East & West - Japan, India, China, Korea & Malaysia - the Dao, the I Ching, canny Biblical fragments, the Desert Hermits, Gnosticism, Sufism, Ancient Greek poets & philosophers, the French and Spanish Surrealists, the Symbolists & Decadents, Shape Note Songs,bluegrass & African-American gospel music, women's poetry throughout time, Native American poetry, & the poets of the contemporary small poem movement in America & Britain - particularly..."
Beam then goes on to name ninety-five poets across cultures and centuries. The first section of the book, "A Gathering of Voices" is a sequence of short quotes from some of those poets. I like this inclusiveness and sense that the poetry is part of a continuum spanning various human civilizations.
I can't do this book justice in a brief blog post, and I hope to review it properly at some point (promises, promises) but for now I'd just say it's recommended.
2 comments:
Right on to my soul brother, Jeffery. Long may we live and breathe in his gospely earth.
Hi Arthur
I'm with you. The poems are getting under my skin; tho they need to be read slowly, and be meditated on.
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