best that any artist/poet learn and apprentice to a trade...learn a trade a useful trade! carpentry, plumbing, electrician, pottery, doctoring, ..
one builds a deck (to sit upon and read poetry) same way one builds a poem: one nail/one word at a time.
learn and practice the rules of your craft.... then break the rules.
Ed Baker
There is no excuse for literary criticism
Basil Bunting
well, Basil Bunting and I
ReplyDeletegot tears in our eyes...
and
you don't need to nail your hand to the page to write the poem.
Cid lead me to Basil's work early on ...maybe late 60's.
it's corny, I know, but: who teaches/who students
we get to the Coeur (a pun intended) of:
from 1930 his FIRST BOOK OF ODES
15 opens w
Nothing
substance utters or time
stills and restrains
joins design and
supple measure deftly
as though intricate polyphonic
score dovetails with the tread
sensuous things
keep in consciousness
Celebrate man's craft
and the word spoken in shapeless night, the
sharp tool paring away
waste and the forms
cut out of mystery!
(etc)
now this collected Poems edition 2000
his preface to opens:
"A man who collects his poems screws together the boards of his coffin. Those outside will have all the fun, but he is entitled to his last confession. These poems were written here and there now and then over forty years and four continents. Heaped together they make a book."
Bunting didn't really heed his own advice, tho, did he? How read lectures except as lit crit? How else read his poem on the Cantos?
ReplyDeleteI don't hold it against him, of course. No one need be consistent ...
As for Ed's "one builds a poem: one nail/one word at a time." Guess he hadn't thot of cutnpaste!
And as for his "learn and practice the rules of your craft....": what are the rules of poetry, anyway? I've been doing it or attempting to do it 40 years now and still haven't a clue ... only rule I know is Bob marley's who feels it knows it, and I don't have a clue how to break that rule ...
On the Fly-Leaf of Pound's Cantos
ReplyDeleteThere are the Alps. What is there to say about them?
They don't make sense. Fatal glaciers, crags cranks climb,
jumbled boulder and weed, pasture and boulder, scree,
et l'on entend, maybe, le refrain joyeux et leger.
Who knows what the ice will have scraped on the rock it is smoothing?
There they are, you will have to go a long way round
if you want to avoid them.
It takes some getting used to. There are the Alps,
fools! Sit down and wait for them to crumble!
Basil Bunting
well:
the only way to read a poem
is
to read it!
and
each morning before I begin to write
rule #1 piss
rule #2 brew coffee
rule #3 take cap off of pen
rule #4 put paper into typewriter
etc
as for "cutnpaste"
that's what was done in the olden days to get copy camera-ready for
the printer.... a graphics
number of rules there too a sharp exacto blade, clean hands, lots of light, don't spill coffee on the work...
as for "Rules of Poetry"
they got that in English 101A remedial writing!
and in art it s called "paint by the numbers"
I could never figure out those rules either... nor ever a need to in order to get a decent grade and pass on to the next level
hey
I bogeyed once in Kingston at a dive with Ziggy he was wayyyyy over there
and I was wayyyy in the back
Comments about this poem (On the Fly-Leaf of Pou
I'm never quite sure how tongue-in-cheek Bunting's pronouncements were. But they generally position poetry-making as a practical craft.
ReplyDeleteHe did indeed lecture (tho perhaps out of financial necessity), but his statement on lit crit is at least a challenge: asking, isn't the poetry itself enough?
Not sure I want my plumber or electrician to break the rules too much... or, maybe, my doctor...
ReplyDelete